Review
These films demonstrate what’s often so great about documentaries: here’s where you find real courage and everyday heroism, and not in mythic, muscular, blockbusters.
May Father Comes Home From the Wars (Parts 1, 2 & 3) fill the Loeb Drama Center to the brim and then some.
Nathan Benn’s gorgeous color photographs paint a complex vision of Vermont as a place of constancy and change.
Go ahead, name another older rocker this side of Iggy Pop who can get away with playing most of his show bare-chested.
The Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
Breath & Imagination is a realistic, moving, and very revealing take on what it means to be a black artist in America, both then and now.
At every turn I sense potential in The Americans, always untapped, for a smart sitcom.
Israeli dramatist Savyon Liebrecht’s new play A Case Named Freud is her most ambitious and dramatically satisfying yet.
Tsvetanka Elenkova is one of the key figures in contemporary Bulgarian poetry.
Why is The Water-Babies a classic fairy tale? It doesn’t take itself too seriously, yet it doesn’t ignore important issues.
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