Review

Theater Review: Sarah Ruhl’s “Court Life” — A Losing Match

October 20, 2016
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Sarah Ruhl attempts, but fails, to discover illuminating similarities between the powerful then and now.

Jazz Review: Danilo Pérez & Jazz 100 at Sanders Theater — Surprise after Surprise

October 20, 2016
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With an artist as focused and sharp as Danilo Pérez as its musical director, Jazz 100 makes you sit up straight and hang on every note.

Book Interview: William F. Buckley on TV’s “Firing Line” — “Open to Debate”

October 19, 2016
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“Conservatism was his perspective, but William F. Buckley was really interested in having the other side on and having real discussions.”

Book Review: Was Sonny Liston Murdered?

October 18, 2016
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The Murder of Sonny Liston is an absorbing, albeit speculative, attempt at addressing the mystery that died with the man.

Theater Review: Actors’ Shakespeare Project’s Extraordinarily Meta-“Hamlet”

October 18, 2016
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In this innovative production, Hamlet comes off as Shakespeare’s most successful genre mash-up of tragedy and comedy.

Visual Arts Book Review: Critic Douglas Crimp — “Before Pictures”

October 18, 2016
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Critic Douglas Crimp’s autobiography provides an absorbing, microcosmic look into the early days of the 1970s New York art scene.

Dance Review: Big Dance Party

October 17, 2016
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This is a theater of signals, like a fast-changing slide show of things we recognize and don’t quite recognize.

Concert Review: Conductor Jakub Hrůša Makes an Energetic Debut with the Boston Symphony Orchestra

October 17, 2016
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This was a fascinating program conducted by someone that the BSO will hopefully put (firmly) into their rotation of distinguished guest conductors.

Film Review: “A Man Called Ove” — An Even-Tempered Dramedy of Rebirth

October 16, 2016
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A Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.

CD Review: Green Day’s “Revolution Radio” – Not Very Radical

October 15, 2016
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Green Day’s latest offering is a largely unoriginal, imitative hodgepodge.

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