Review
A historian’s view of the tumultuous world of early sixteenth century Europe, an age of exploration, revolt, and religious upheaval.
There have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
This invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.
A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.
Kylián’s astute choice of musical selections helped gave a structural shape to “Wings of Wax.”
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