Review

Theater Review: A Gripping “Man in Snow” at the Gloucester Stage Company

October 10, 2016
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Man in Snow encourages us to reflect on our own bit of mortality. We don’t probably take the time to do that enough.

Concert Review: Boston Symphony plays Widmann and Brahms at Symphony Hall

October 7, 2016
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The intellectual and emotional intelligence of the docket stands as a conspicuous example of exemplary programmatic creativity.

Visual Arts Review: More than a Painter of Fish — William Merritt Chase at the MFA

October 7, 2016
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The variety of this exhibition amply proves that William Merritt Chase brought great painterly insight to much more than just the daily catch.

Book Review: Analyzing Musical Fisticuffs — “Your Favorite Band is Killing Me”

October 7, 2016
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Steven Hyden doesn’t really pick a side in these fights; he’s broad minded enough to know and enjoy every artist’s work.

Book Review: “The Lesser Bohemians” — The Desires of the Flesh, Revived

October 6, 2016
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In The Lesser Bohemians, Eimear McBride seems to be determined to combat the soullessness of pornography.

Book Review: Rabih Alameddine’s “Angel of History” — Knocked Askew

October 5, 2016
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This is a book about “survivor’s guilt,” and also about the terrible loneliness that comes of losing so many whom you love.

Classical Music CD Reviews: Hrůša’s Dvorák, “The Lost Songs of St. Kilda,” and Steve Richman’s Gershwin

October 2, 2016
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The Lost Songs of St. Kilda is a disc that’s simple but profound, beautiful and enduring.

Classical Concert Review: Boston Symphony Orchestra’s “Der Rosenkavalier” — The Tops

October 1, 2016
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It is unlikely that any other BSO concert this year will top Thursday night’s performance of Richard Strauss’s opera Der Rosenkavalier.

Visual Arts Review: Terry Winters — A Distinctive “Structure of Things”

October 1, 2016
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Something clicked when I visited the MFA’s diminutive but brilliant new exhibition of Terry Winters’ works on paper.

Visual Arts Review: “Phantom Limb” — Diana Al-Hadid’s Art of the Meltdown

September 30, 2016
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Dissolution is a mysterious, and constant, element in Diana Al-Hadid’s vision.

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