Review
May this superb biography, The Invention of Angela Carter, spark more interest in this amazing writer, especially in the United States.
So much goes on over the course of Live From the Fox Oakland that the TTB upends the notion of a band “settling” into a sound.
Jeffrey Sweet has provided a handy oral history of the ways playwriting has changed over three generations.
Jason Anick, on violin and mandolin, and Jason Yeager, on piano, showed off just how exhilarating it can be to kick down musical walls.
Silent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer.
In the remarkable images of Henryk Ross, Nazi evil is exposed through a kind of heroic voyeurism.
The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.
BODYTRAFFIC seems to be invested in a relentless likeability.
In the Piano Concerto, Ferruccio Busoni seemed to want to have the final word in the tradition of the Romantic concerto.
This is music that says things that cannot be said any other way, music that cannot wear its heart on its sleeve.
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