Review
These trio of releases from pianist Satoko Fujii are exciting snapshots of a jazz daredevil in action.
In a surprisingly quick 100 minutes, this smart play forces us to confront our own preconceived notions about good and evil.
Wakka Wakka’s puppetry skills are highly impressive, its staging inventive and undeniably entertaining.
Roxane Gay is a bold writer of impressive range who experiments with magic realism, dystopia, and fantasy.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
Hyperion builds a CD around a superb performance of Amy Beach’s magnificent Piano Concerto.
Is the long trip through Purgatory worth the time? Not sure.
Mavis Staples’ colossal voice fully blanketed the entire venue and tucked its way into every nook and cranny.
This is an old story, but the approach this time around is fresh, the acting uniformly excellent, and the pacing just right.
No orchestra in this country embraces the challenges of Charles Wuorinen’s hyper-intellectual style better than the Boston Symphony Orchestra.
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