Review
Hyperion builds a CD around a superb performance of Amy Beach’s magnificent Piano Concerto.
Is the long trip through Purgatory worth the time? Not sure.
Mavis Staples’ colossal voice fully blanketed the entire venue and tucked its way into every nook and cranny.
This is an old story, but the approach this time around is fresh, the acting uniformly excellent, and the pacing just right.
No orchestra in this country embraces the challenges of Charles Wuorinen’s hyper-intellectual style better than the Boston Symphony Orchestra.
A historian’s view of the tumultuous world of early sixteenth century Europe, an age of exploration, revolt, and religious upheaval.
There have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
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