Review
De Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
KNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Performance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
We Bostonians are a tough bunch and the Remains had a tough sound. That’s what Boston music should be remembered for.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
I love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
Three incisive visions of what’s to come from largish groups of committed musicians.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
What has Black Mirror been good for, beyond entertainment, if not drawing our attention to escalating social and technological perils?
Brian Blade is not only a skillfully discreet: he can be as powerful as any drummer since Elvin Jones.
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