Review
Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
Kelley Donovan believes every dancer should own her movement, not just perform it.
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This symphony is the finest synthesis of Leonard Bernstein’s considerable theatrical instincts within a concert framework, idiosyncratic and singular.
In The Humans, Stephen Karam suggests that America can be a heaven that, in a moment, might flip into hell.
Charles Ives continues to stand, after 140-plus years, as the ultimate American Composer.
Theater Commentary: “Skeleton Crew” — Not With the Union
To my surprise, the auto union was written out of the picture from the start, as if dramatist Dominique Morisseau saw it as an embarrassment.
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