Review

Classical CD Reviews: Alexander Melnikov’s Four Pianos and Leonard Bernstein’s Mass

March 29, 2018
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Pianist Alexander Melnikov has come up with one of the still-young year’s most compelling discs, Deutsche Grammophon releases an aural train wreck.

Theater Review: “Little Orphan Danny” — Sweet and Raunchy

March 28, 2018
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Little Orphan Danny is an engaging and satisfying musical, a fun journey through the life of an affable troublemaker.

Classical CD Review: Vänskä’s Mahler Six, Harding’s Mahler Nine, Louise Farrenc Symphonies, Handel & Haydn Society plays Haydn and Mozart

March 28, 2018
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Two Mahler symphonies, one sluggish the other intense, while symphonies composed by Louise Farrenc, Mozart, and Haydn are done right.

Film Review: “Leaning into the Wind” — The Giving Tree

March 26, 2018
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Watching this film, one is struck at how it is essentially a collection of moments that, taken together, create a satisfying portrait of a life.

Classical CD Reviews: Lars Vogt plays Beethoven, James Ehnes plays Walton, Denis Kozhukhin plays Ravel & Gershwin, Francesca Dego plays Paganini & Wolf-Ferrari

March 26, 2018
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Superb discs from pianist Lars Vogt, violinist Francesca Dego, pianist Denis Kozhukhin, and violinist James Ehnes on the viola.

Jazz CD Review: The Kathrin Pechlof Trio

March 24, 2018
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Toward the Unknown is a well-wrought, well-rendered recording — one worthy of serious attention.

Book Review: Susan Sontag’s Collected Stories — From the Back Burner

March 24, 2018
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Susan Sontag wrote short stories as a hobby; she saved more of her enormous intellectual energy for her novels and essays.

Theater Review: “Ugly Lies the Bone” — Illusions of Support

March 23, 2018
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With this production, Penobscot Producing Artistic Director Bari Newport has raised the artistic bar for Bangor’s premiere theater company.

Film Review: “The Leisure Seeker” — One Last Road Trip?

March 23, 2018
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We’re not in European art film territory here.

Film Review: “Red Sparrow” — A Retro Cold War thriller

March 23, 2018
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Red Sparrow isn’t great in any way, but, at two hours and twenty minutes, we do get our money’s worth of old-school genre entertainment.

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