Review
“They were pieces of shit when we shot ‘em, but later on they became relics.”
Like Breaking Bad, El Camino subtly suggests that justice is a relative concept.
Jeremy O. Harris’s bold new play is wildly provocative and hysterically funny.
jaimie branch knows music has to be wild and dangerous and beautiful to cut through all the distractions of our times.
What remains so seductive about Almodovar is the way he replicates the movement of thought, creating a seamless weave between the story moving forward — rather minimal in this case — and the richer, more luminous past.
Steven Price creates a mid-twentieth century world that is filled with the same kind of conflicts that Lampedusa himself confronted in writing The Leopard, his great novel about nineteenth century Italy.
Enjoy Boston Camerata’s Free America! for its high spirits and its crafty, delicious way of making the iconoclasm of the past come alive.
Buñuel in the Labyrinth of the Turtles is nothing if not provocative fodder for a cinematic niche: the animated feature sheds intriguing light on one of the major film directors of the 20th century at a pivotal time in his career. ,/em>
Christian Tetzlaff’s brilliant account of Beethoven’s Violin Concerto makes for a great album; Rachel Barton Pine’s versions of Dvorák and Khachaturian violin concertos are songful; orchestrally, Mark Elder and the Hallé Orchestra’s Sigfried is unfailingly colorful and fresh.
Had the curatorial parameters been tighter in concept, and more generous regarding the source of the work, the MFA might have produced a great, rather than just a good, exhibit. .
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