Review
A fresh, bracing take on Beethoven as a dramatist, Tesla Quartet serves up refreshingly direct and emotionally-complex performances of Mozart, and flautist Emmanuel Pahud has crafted an ear-catching, unpredictable program.
In this valuable call-to-action, Roger Hallam says we have to recognize that climate change is an emergency and rebel against our extinction.
Bombshell takes a stand, looking to portray its besieged women as complex, flawed human beings who also happen to be the victims of sexual harassment.
Dave Malloy’s musical version of Moby-Dick shows promise, but he needs to trim plenty of blubber.
Director Greta Gerwig’s brilliant cast succeed in making Little Women a feel-good escapist movie with brains.
Queen Mab’s premiere production is an energetic, 80-minute, one-man performance of Shakespeare’s A Midsummer Night’s Dream.
This year’s Revels is more than a parade of Christmas songs and stories that tap deep into America’s European and African past.
I had never heard of Marcus Paus before, but his work I Hate Men, set to witty verses by Dorothy Parker, proved to be one of the most entertaining and engaging pieces I have heard in recent years.
The current incarnation of the Swingle Singers, just called Swingles, exemplifies why the group has survived 57 years.
Film Feature: Best Movies (With Some Disappointments) of 2019
Our demanding critics choose the best (and the most disappointing) films of the year.
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