Review
One of the masterpieces of Russian drama is done justice in a English version that successfully captures much of the wit and fluency of the original.
In its 4th season, Insecure remains a hilarious look at the lives of black millennials growing up in Los Angeles.
The two best things about Simon Rattle’s new recording of Die Walküre are, well, Rattle, himself, and the Bavarian Radio Symphony Orchestra; a strongly played and majestically sung performance of Felix Mendelssohn’s unfairly neglected Die erste Walpurgisnacht.
More proof that Offenbach’s is a remarkable body of work; a serviceable, but not particularly notable, Cavalleria rusticana; another installment in the Rossini Project, brilliantly curated, stirringly played and sung, and beautifully recorded.
This is hard-hitting neo-noir parable whose dark humor delights as it strikes at the corrupt heart of business as usual in Argentina.
A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
One thing that gives Marc Maron’s comedy a certain punch is that he is an equal-opportunity crank.
Killing Eve is as exciting and compelling as ever. But its narrative structure is becoming somewhat fractured and increasingly odd.
Marc Petitjean seamlessly moves from describing intimate scenes to discussing Frida Kahlo’s art and its significance.
For those averse to sports, The English Game is focused more on attitudes and mores of the time than on the game itself.
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