Review
Wild Wild Country details the insane clusterfuck that results when faith, fundamentalism, and media hype intersect.
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This is an important and timely book, one that happens to be compulsively readable and that anyone even mildly interested in the intersection between religion and politics, faith and science, or religious commandment and secular law should read.
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Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.
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Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.
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The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.
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Hub Theatre Company’s True West is a joy to watch.
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The Lyric Stage production of Anna Christie does right by Eugene O’Neill’s brilliance.
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In You Were Never Really Here, Lynne Ramsay’s themes of alienation, violence, guilt and redemption are once again present, albeit in a more frenetic form than before.
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This is a sound I’ve never heard before at a chamber concert: over twenty musicians breathing in unison.
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Iranian director Abbas Kiarostami’s last film is made up of a series of sometimes resplendent, sometimes disappointing, images.
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