Review
Violinist Hilary Hahn’s blend of musical curiosity, expressive savvy, and technical excellence doesn’t often appear in one person.
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It isn’t always easy being beautiful, brainy, and talented.
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A couple of adventurous pianists decided, as their latest solo releases confirm, to use forced isolation as a spur to inspiration.
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Come True squanders all of its narrative potential in favor of an awkward and poorly developed romance and a “twist” ending even M. Night Shyamalan would scoff at.
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It’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
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This Korean novel dramatizes, with indelible force, the utter dehumanization of women confined to authoritarian patriarchal imprisonment.
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Despite its intriguing sci-fi premise, The One is content to entertain so, though its plots meander, it’s a good watch for those aching for a bit of escapism and intrigue.
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Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
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The Sri Lankan rapper’s outspoken support for refugees — the focus of her 2016 album — remains relevant as the United States and the rest of the world continue to grapple with immigration reform.
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This is a dazzling debut by filmmaker Rose Glass, who has made a powerful film that is grounded, first and foremost, in the monstrousness of daily living.
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