Review
For me, about half of the compositions here successfully reflect the artistic visions of the painters that inspired the music.
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Satanic Panic is a crazy ride, managing along the way to poke fun at the lifestyles of the rich and bored, reminding us that decadence among the upper classes is very scary indeed.
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In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
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Blue World is valuable for its pellucid recording of takes of tunes Coltrane’s fans already love. They will have to have it.
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For anyone interested in the man or that era, De Gaulle is indispensable.
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The Lyric Stage Company of Boston is giving this nostalgic hokum a spirited production.
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Johnny Hodges was originally a Cambridge/Boston guy, and one of the most interesting sections of Con Chapman biography is his knowledgeable description of the local jazz scene in the 1910’s and ’20s.
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Fear Inoculum is not a bad album. It’s not a great album either, and Tool has made some great albums.
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The powerful quartets on The People I Love and Terra Incognita work toward locating places beyond notation where, in each moment, new vistas may emerge.
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The last half-hour or so of any Mavericks concert is usually just about the happiest place to be on the planet.
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