Review
I felt at times that I was listening to the Italian equivalent of a Broadway musical, though a serious rather than jolly one.
BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
Both Newport festivals rose to the challenge of restoring live music in a year that made it difficult and welcome.
This wonderfully eclectic show is a post-pandemic invitation to forge new connections and open up fresh conversations.
Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
The Norwegian soprano’s execution of the vocal line in Luonnotar is nothing short of astounding.
Folk On both exceeded and tempered expectations.
This is state-of-the-art modern jazz with an up-and-coming lead soloist, well-chosen guests, and a dream rhythm section.
A delightful recording — and the first ever! — of arias from Hasse’s and Gluck’s operas about Tigranes and Cleopatra of Pontus. Plus four arias by Vivaldi for that same Cleopatra.
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