Review
David Thomson’s meditation on our love of disasters is engagingly allusive, reflective, humane, wide-ranging, and often funny.
A new recording of Ferdinando Paër’s Leonora gives us characters we love (or love to hate) in a fresh light
Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.
X takes the right lessons from Chainsaw: it is both an adoring homage and a much needed rejuvenation of the slasher genre.
To always be listening more and to therefore always be listening differently is of course the very nature of fandom, and to call What’s Good the work of a fan is not a putdown.
It was soon clear what Oscar was after: two separate younger demographics — one with plebeian cinematic tastes, the other with hip politics.
Once Twice Melody goes about refining rather than changing Beach House’s vision of dream pop.
In Lowell, America played to a packed, enthusiastic, Centrum Silver-popping crowd who sang along with the band’s impressively deep roster of hits.
A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
Book Review: The Climate Crisis and the “Race for Tomorrow”
If there is one book to pick up that will get you interested in what is happening to our climate, Race for Tomorrow is it.
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