Review
Jurassic World: Dominion feels like Universal pureed every spec script for a Jurassic Park sequel ever sent to it by first-year film students. It’s narrative slurry. Like the pink slime used as filler in cheap burgers.
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Daniel Raim’s Fiddler’s Journey to The Big Screen is a terrific documentary about the creation of the titular film.
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The Canadian sports comedy Shoresy works as its own series, but it doesn’t match the sharp wit of its predecessor, Letterkenny.
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A refreshing and witty hip-hop spin on Shakespeare’s Comedy of Errors.
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You come away from this volume of short stories thinking that sure, Maggie Shipstead does write what she knows — it’s just that she may know everything.
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This revival of 1776 tries to strike a culture wars balance, celebrating the country’s commitment to independence while also here and there skewering the idealized images and blatant hypocrisies of America’s patriarchal founders.
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I am honestly puzzled by the casualness or, at times, ferocity with which some people nowadays reject classical music as inherently narrow or elitist.
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The Currier Art Museum now owns and maintains two houses created by legendary American architect Frank Lloyd Wright.
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Running with Robots not only makes reading about education reform fun, but also prods a broad readership to think critically about how learning should work in a future guided by artificial intelligence.
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As National Pride Month begins, The Inheritance is a powerful way to honor and remember the impossible journey so many have taken to win the right to simply be themselves in public.
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Arts Feature: Best Movies (With Some Disappointments) of 2025