Review
Such a beautiful evening of music — two relatively concise sets, one an hour long, another a little less — adding up to an integral whole.
Albare Plays Jobim: A Tribute to Antonio Carlos Jobim is a traditional Brazilian offering, content to offer soothing Bossa Nova rhythms; Freedom is more unconventional, merging Brazilian beats with jazzier improvisations.
A music aficionado-turned-record producer shares his indelible memories of life on the road and in the studio, working with such artists Sleepy LaBeef, Irma Thomas, James Booker, Solomon Burke, Buckwheat Zydeco, and Ruth Brown.
Brazilian director Anita Rocha Da Silveira’s latest film is a genre-spliced howl of feminine fury in the face of right-wing Christian conservatism.
Thankfully, there is no melodramatic black-and-white in James Kallembach’s fascinating 36-minute work, first performed at Boston University by the Lorelei Ensemble in 2017.
“Episode III. The Fall” is the most thematically focused installment in the four-part I Am the Moon saga so far.
Stewart Brand’s greatest achievement, by far, was the simple act of putting the photograph of the earth as seen from space on the Whole Earth Catalog’s cover.
The novel’s plot revolves around the many secrets simmering beneath the surface of the lives of the characters, and Bill Littlefield slowly teases them out to connect the disparate voices.
Once it gets its bearings, Mr. Fullerton, Between the Sheets, tosses and turns its way through the throes of hidden romance, miscommunication, reconciliation and, eventually, heartbreak.
Four! is one of Hampton Hawes’ most satisfying sessions, for the variety of the repertoire and the quality of the performances.
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