Review
At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”
Orchestral splendor meets interpretive risk in two Mahler releases.
Suzy Hansen’s “From Life Itself” traces the human cost of modernization and authoritarianism in a changing city.
Selma Meerbaum-Eisinger’s poetry carries historical weight, but Carlie Hoffman’s translations struggle to convey the formal poise of the originals.
Essayist and memoirist Isaac Fitzgerald follows Johnny Appleseed into a landscape shaped as much by omission and privilege as by history.
Tillie Walden’s “Charity & Sylvia” transforms archival fragments into a resonant portrait of devotion in early 19th-century Vermont.
Director Travis Knight’s self-aware reboot turns Reagan-era toy marketing into a surprisingly sharp, character-driven comedy about power, nostalgia, and growing up.
Arpeggione Ensemble turns music by Schubert, Mendelssohn, and Mahler into a resonant chamber seascape.
Gabriel Graetz and Paul Melendy power Charles Ludlam’s camp classic, even as a stripped-down design leaves some comic potential untapped.

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