Rock
Even more impressive than the sheer amount of raw knowledge Bill Janovitz puts on display is the way he expertly elaborates on Leon Russell’s familiar resume highlights to create a full, three-dimensional portrait of a very complicated artist (and person).
The 11-piece group frontloaded its 90-minute set for immediate impact, answering the biggest challenge — replacing the vocal charisma of David Byrne — with a communal approach.
Elvis Costello loves to visit various regions of the past but wouldn’t dare move to any of them permanently.
“I love music, I play every day,” John Lodge says. “I don’t want to let the audience down or myself or the members of my band. They give me 150% every night so I have to be physically and mentally right for them.”
Without us even knowing it, Burt Bacharach opened up our ears.
Tom Verlaine will be most remembered for Marquee Moon, both the album and title track, which alone would be enough to seal any legacy.
The late Billy Conway didn’t so much work to make a song sound great as, through his adroit drumming, illuminate the qualities in the tunes that made them great.
When I glorify or romanticize an artist like David Crosby it is because the performer has a gift for alchemizing songs into something huge, powerful, spiritual, and communal.
For people who grew up on his music in the ’60s and ’70s, David Crosby’s passing, especially on the heels of Jeff Beck’s death last week, is tough to take.
Rock Remembrance: David Lindley, A Splendidly Cavalier Spirit
Electric guitar, bouzouki, mandolin, saz, oud, Hawaiian guitar, lap steel, fiddle, cittern; if it could be plucked, strummed or bowed, odds are Mr. Dave played it and played it well.
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