Rock
“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
Most of the night’s visually tilted action took place within a tightly framed stage that made the presentation seem somewhat detached.
Oh He Dead’s new album carries a unified punch as it interweaves meditations on dark subjects: mortality, polarization, and how life isn’t always sunshine and rainbows.
Legendary guitarist Warren Haynes talks about how his upcoming album, Million Voices Whisper, was put together and what it is like to perform in front of Boston crowds.
Tedeschi Trucks Band demonstrated the difference between actively engaging in a musical tradition versus paying tribute to it.
Musician Interview: Death From Above 1979 Celebrates the 20th Anniversary of its Classic Debut Album
This year marks “You’re A Woman, I’m A Machine”‘s 20th anniversary and, in homage, Death From Above 1979 has slowly but surely been releasing re-recorded tracks from the disc over the past few months.
This year’s edition of Metalfest matched the fabled fests of yore – a point not lost on many of the bands that performed, many of them making note on stage that the metal world had somehow been made right again.
Despite some hiatuses and a non-lasting change in the guitar slot, X has amazingly soldiered on for four decades since its 1977 formation and 1980-1984 heyday to remain standing with its original lineup.
Rock Album Review: Galaxie 500, “Uncollected New York Noise 1988-1990” — Expanding the Band’s Legacy
Through it all, the members of Galaxie 500 have stayed true to the idea of “indie” as a personal and political vision rather than a mere genre tag.
With the release of “Wild God,” his stirring 18th studio album, it seems as if the charismatic poète maudit has achieved, and more impressively maintained, his own version of peace.
Arts Commentary: In Memoriam, Michael Tilson Thomas (1944-2026)