Popular Music
Ivory is at its best when Omar Apollo fully commits to taking adventures into different sonic spaces.
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Charli packages existential angst and heartache in sly, self aware pop performances that manage to deftly fuse self-conscious artificiality with earnest passion.
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This is the quintessential Club d’elf album, smartly arranged and surprisingly accessible without losing any of the group’s improvisational edges or exotic breadth.
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Crooked Tree is the Molly Tuttle record we’ve been waiting for, one that is firmly rooted in bluegrass, but imbued with her own sharp style as a guitarist, singer, and songwriter.
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To always be listening more and to therefore always be listening differently is of course the very nature of fandom, and to call What’s Good the work of a fan is not a putdown.
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All three are singer/songwriters whose individual gifts mesh seamlessly with soaring harmonies and a like-minded empathetic view of the world.
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Where Roadrunner goes from here remains to be seen, but Billy Strings did his part to open the room with a bang of a blessing.
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Regardless of what’s to come, Ants From Up There represents a dizzying creative apex for Black Country, New Road.
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Both experimental and welcoming, the double album proves more spontaneous in feel and expansive in style than past Big Thief outings.
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David Bowie’s Toy is a solid, enjoyable, and buoyant effort from an artist who never failed to stay interesting and vital well into his later years.
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