Music
By Andrey Henkin For 2025, my Jazz Passings website accumulated 1,028 entries, with 242 receiving detailed write-ups, far shy of 1,211 and 308 from 2024. That said, it did feel, purely subjectively, like there were so many more major passings in 2025 than in recent memory. Statistical analysis doesn’t back that up, but people’s feelings…
Bob Weir protected the integrity and idealism of the Grateful Dead’s music, playing the band’s songs year after year with a sense of wonder that he never lost touch with.
The performances made one thing clear: what had in Mozart’s day been a failed musical venture now makes for show-stopping pageantry.
The Disco Biscuits chose Boston as its base for a three-night New Year’s run that unfolded in three different venues.
2025 turned out to be a feast year for devotees of soprano saxophonist Jane Ira Bloom. The music found on both of these releases could be thought of as exemplifying three areas Bloom has explored in depth and refined to purity.
“Unfinished” supplies a thoughtful analysis of the relationship between music, musicians, and AI.
Our popular music critics pick some of the standout albums and live performances of 2025.
The magazine’s jazz critics look back over the past year and highlight their favorite albums.
Welcome back! The second half-life of the Either/Orchestra.
The 20th Annual Francis Davis Jazz Poll: Vocal Jazz Albums
In recent years, the category has been dominated by Cécile McLorin Salvant, who won handily again this year, her seventh time, one for each of her albums.
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