Music

Jazz Album Review: Freddie Hubbard — “On Fire: Live from the Blue Morocco”

April 18, 2025
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There are unplanned moments in this three LP collection, times when the musicians seem to be waiting to hear what is going to happen next. Something exciting usually does come out of their interactions.

Classical Music Album Review: Brahms & Schumann and Mozart & Bruch

April 14, 2025
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It is serendipitous that James Ehnes added Brahms’ two viola sonatas to his repertoire; Patrick Messina, Lise Berthaud, and Fabrizio Chiovetta’s new recording of Bruch’s “8 Pieces for Clarinet, Viola, and Piano” serves the piece admirably.

Classical Music Album Reviews: “Duke Bluebeard’s Castle” and Jean-Yves Thibaudet Plays Khachaturian

April 13, 2025
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A conspicuously inviting account of Béla Bartók’s Duke Bluebeard’s Castle, and a welcome surprise: Aram Khachaturian actually wrote a pretty good piano concerto.

Album Review: Jason Isbell’s Ruminative “Foxes in the Snow”

April 12, 2025
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One thing, among others, that sets Jason Isbell apart from his country scene contemporaries is that he isn’t afraid to break the all-American code of manly stoicism.

Musician Interview: Rick Berlin Talks About His New Album “WTF!?,” His Upcoming Show, and Turning 80

April 12, 2025
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Rick Berlin is about to triple dip in the area of major achievements. April 19 marks the release of the Nickel & Dime Band album WTF!?, it is the date of their performance at Brighton Music Hall, and it also marks Berlin’s 80th birthday.

Opera Album Review: A Delightful Three-Character Opera by Paisiello Recieves Its World-Premiere Recording

April 10, 2025
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A renowned 18th-century master struts his stuff, helped by a skillful young Italian tenor, in an opera first performed in Russia.

Musician’s Interview: Barry Burns of Mogwai Talks About Stoking “The Bad Fire”

April 8, 2025
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Mogwai’s explosive sound has inspired numerous bands around the world, including in the Boston area. 

Concert Review: Beth Gibbons — Still an Aching, Spectral Voice

April 7, 2025
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Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”

Festival Review: Ten Highlights from Big Ears 2025

April 6, 2025
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Despite — or maybe because of — all the global turmoil, an awful lot of compelling music was heard at Big Ears.

Album Review: The “Horror” of the Mekons

April 4, 2025
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The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.

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