Music

Rethinking the Repertoire #3: Karl Amadeus Hartmann’s Symphony no. 6

October 7, 2015
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The truth is that the music of this most politically aware and morally astute of composers needs – and deserves – much wider currency.

Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”

October 5, 2015
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Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.

Fuse Rock Interview: Dave Davies — Playing the Kinks Klassics

October 4, 2015
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In this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.

Concert Review: BSO’s Andris Nelsons conducts Shostakovich, Tchaikovsky, and Rachmaninoff

October 2, 2015
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The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.

Rethinking the Repertoire #1: Camille Saint-Saëns’ Symphony in E-flat, op. 2

September 30, 2015
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We begin our survey with one of my favorite musical discoveries of the last three years: Camille Saint-Saëns’ Symphony in E-flat, op. 2.

Rock Interview: Rod Argent — Keeping the Zombies Alive

September 30, 2015
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Rod Argent of the Zombies on the second incarnation of psychedelia.

Classical Commentary: “Rethinking the Repertoire” — An Introduction

September 29, 2015
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It’s one of the enduring ironies of classical music that so much of today’s repertoire was written by such a small number of people..

Music Review: Madonna in Boston — Queen of a Three-Ring Circus

September 27, 2015
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Madonna’s show made for spectacular eye and ear candy. But what was it all about? That’s where things got a little hazy.

Classical CD Review: Julia Wolfe’s “Anthracite Fields” — Hard-Driving Minimalism

September 25, 2015
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Even if it’s a mite inconsistent, Anthracite Fields is a fully deserving Pulitzer winner.

Album Review: Innovative “Love & Mercy” Soundtrack is Worth the Wait

September 25, 2015
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Atticus Ross’ success in creating these pieces results in a listening experience quite a bit more harrowing and evocative than the lush and sunny Beach Boys harmonies people are accustomed to.

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