Music
“I see myself as I’ve always seen myself, as a pop musician in a folk genre.”
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Without question, this BPYO rendition of Shostakovich Ten was one of the most urgent and necessary of any symphonic score I’ve heard all year.
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This set is surely one of the finds of the year.
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This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.
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Jack Black and Kyle Gass were happily living out their nerdy, rockstar dreams — and their fans were loving it.
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This was a truly great performance, one that fully suited the BPO’s season-long, dual commemorations.
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Next summer promises to be a safe one, musically, at Tanglewood.
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Christopher Hollyday’s Telepathy is a keeper, Chris Pasin’s Ornettiquette is an excellent outing, Jake Ehrenreich’s A Treasury of Jewish Christmas Songs is uneven, and for some long winter nights Abigail Rockwell’s Autumn Noir might be just the ticket.
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
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Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
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Arts Feature: Best Movies (With Some Disappointments) of 2025