Music
The disc is manna for lovers of assertive electric guitar, played by one of today’s top practitioners, in an unadorned trio setting.
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Overall, Juliana Hatfield’s Weird is closer to good than to great.
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The BSO recently announced an extension to artistic partner Thomas Adès’s contract. It is lucky to have him. So are the rest of us.
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“It’s not a concert about despair,” observes Joel Cohen, “there’s a lot of festive music in it.”
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Trumpeter Jason Palmer’s mastery is of the unimposing kind, which this piano-less quartet seamlessly reflects.
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Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
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1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
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Francois-Adrien
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Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.
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This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.
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Arts Feature: Best Movies (With Some Disappointments) of 2025