Music
The songs by Milton Nascimento and Chico Buarque re-imagined on Rio Minas are not necessarily their best known, but all of the performances on this album eloquently testify to saxophonist Jean-Pierre Zanella’s love of Brazil and its people.
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Laurie Sargent and Billy Conway found their sanctuary under the big sky of rural Montana, and their art echoes the genuine nature of their lives, shared across the miles with their Boston base.
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It amazed me that Lee Konitz in his nineties could still find his way through a maze of changes, chorus after chorus, and at the same time be capable of weaving a beautiful, unscripted melody while producing a sound so wide, one could crawl into it.
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An admiration for certain defeat permeates much of The Mountain Goats’ album Songs for Pierre Chuvin.
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The cumulative message of these heavy metal bands might be: “I see your pandemic, and I raise you one.”
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What strikes this listener most is the writing’s disjointedly distinctive — sometimes unfathomable — sounds and textures, as well as the music’s unpredictable flow.
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In Rock Bottom Rhapsody, Pokey LaFarge shows us where all America’s prophetic manias must lead: collapse.
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Renowned singer and actress Annie Ross is urgently in need of financial assistance to pay for home care during this pandemic.
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Singer Leslie Beukelman has a lot going for her, including her time, the quality of her voice, her control of improvisation, and her capacity to reach deeply into a ballad.
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Classical Music Commentary: The Boston Symphony Orchestra’s 2020-21 Season Announcement
If ever there was a season the BSO needed to put its right foot forward — balancing the core repertory with some strong steps outside of it — this is the one.
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