Music
For fans, this backstage concert documentary is obviously a gift. For others, it will serve as a testament to the power of a woman whose life’s work has made real world impact.
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Vivaldi put this opera together using, in part, arias associated with two famous singers: the “Moorish” (i.e., half-African) Vittorio Tesi and the castrato Farinelli.
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Descriptions of Anna Webber’s music might make it seem intimidating. It is not — her compositions are stirring, amusing, and delightful, particularly in the shell games they play with variety and coherence.
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For local music enthusiasts of all stripes, the hometown label was a point of pride; for musicians and fans the world over, Rounder was the go-to source for music you couldn’t readily find elsewhere.
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To hear this performance properly. you must do a bit more work than you might do ordinarily . . . but great art deserves such work.
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This disc stands comfortably in the company of Beethoven and Bartók performances by the Emerson, Tákacs, Alban Berg, and Juilliard Quartets.
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In her new album, Juliana Hatfield’s concerns are comeuppance, self-abasement, and the depravity of those who revel in the power to make decisions that can adversely affect others.
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A pair of documentaries about the most popular guitar-driven instrumental bands of all time.
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“Then, as now, my focus was on the songs. As long as you can keep your focus on the art that you’re doing, the larger thing it can serve – selling records or whatever – that’ll happen on its own.”
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Prickly and polemical tunes are surrounded by some of the most enjoyable music Van Morrison has made in years.
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Arts Feature: Best Movies (With Some Disappointments) of 2025