Classical Music

Jazz Review: Second Dispatch from the 39th Montréal Jazz Festival

July 8, 2018
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One of the most astonishing sets of my week in Montreal featured two Frenchmen, accordionist Vincent Peirani and soprano saxophonist Émile Parisien.

Classical CD Review: “Between The Notes – Music For Violin and Piano”

July 6, 2018
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Pianist Constantine Finehouse and violinist Daniel Kurganov are well-matched musicians, and have recorded a superb album.

Rethinking the Repertoire: Postlude

June 13, 2018
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The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.

Rethinking the Repertoire #25: Esa-Pekka Salonen’s “Foreign Bodies”

June 11, 2018
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For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.

Rethinking the Repertoire #24: Charles Villiers Stanford’s “Songs of the Fleet”

June 9, 2018
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Composer Charles Villiers Stanford’s best traits were formidable indeed.

Rethinking the Repertoire #23 – Henry Cowell’s Piano Concerto

June 7, 2018
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Henry Cowell’s was an important, if now often forgotten, voice in 20th-century music.

Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”

June 6, 2018
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Composer Florence Price’s lack of acceptance into the American canon is shameful.

Rethinking the Repertoire #21– Alban Berg’s “Altenberg-Lieder”

June 2, 2018
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The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.

Concert Review: Boston Lyric Opera’s all-Bernstein Double-bill

May 20, 2018
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The BLO’s production was one of the troupe’s true staging triumphs of late, transforming the Steriti Ice Rink into a 1950s-style nightclub.

Classical CD Review: Andrew Manze and Vaughan Williams, Andris Nelsons and Anton Bruckner

May 19, 2018
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Andrew Manze and the RLPO have turned in one of the year’s great albums: potent, lyrical, haunting, and timely.

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