Classical Music
I was excited, moved, impressed, and surprised by Handel & Haydn Society’s performance of The Messiah under the exacting baton of Bernard Labadie.
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When it comes to raising high spirits, the BEMF’s delightful Alcina was an inspired choice.
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Without question, this BPYO rendition of Shostakovich Ten was one of the most urgent and necessary of any symphonic score I’ve heard all year.
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This recording challenges our settled sense of what art music, in conjunction with colorful spoken and sung verse, can accomplish.
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This was a truly great performance, one that fully suited the BPO’s season-long, dual commemorations.
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Next summer promises to be a safe one, musically, at Tanglewood.
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Yes, the first-ever recording of a opera that is as wonderful as Berlioz and Wagner said it is.
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Aside from his seemingly effortless technique, Roustem Saïtkoulov struck me as a poet of the piano. Music seems to be his first language.
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As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
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Pianist Daniil Trifonov’s Rachmaninov album is magnificent; the Münchner Rundfunkorchester do right by Franz von Suppé’s overtures, and the Romantic Piano Concerto series continues to unearth gems.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues