Classical Music
Both players are long-time friends and recital partners; the pair thrive on tackling big stylistic and musical contrasts that are tied together by performances that were both interpretively thoughtful and technically accomplished.
Concert Review: Pianist Daniil Trifonov and Baritone Matthias Goerne Perform Schubert’s “Swan Songs”
For those who love Schubert, this was a memorable occasion indeed.
First-rate performances, including by a Norwegian orchestra and conductor plus superb international singers, make this one a winner.
Scribble, smudge, repeat: the passage of time and the emergence and dissipation of information conveys the difficult work of experiencing coherence and retaining memory.
How our memoirist and the man who shook Mickey Mouse’s hand crossed paths is characteristic of the author’s good fortune and perseverance.
This is a terrific compendium of new music of the best sort: the kind that’s brilliantly written, expressively direct, played with assurance, and engineered with clarity and warmth.
“Saul “may be an oratorio, but it’s about as operatic as one can get.
The Latvian conductor can sometimes overindulge in pieces that demand shifts in emotional direction on a dime, so the frenzied eclecticism of Mahler’s Fourth feels tailor-made for him.
The Junction Trio offered the coolest show in town — an afternoon of experimental music that highlighted their virtuosity as individual players and as a unit.
Arvo Pärt’s ubiquity in concert halls and on disc for much of the last fifty years suggests that he’s got plenty to say to our cultural and historic moment.
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