Classical Music
That composer Anna Clyne is a gifted miniaturist is evident in “Abstractions”, a set of five movements offering musical commentary on the works of five contemporary visual artists.
The Boston Landmarks Orchestra offered a rousing valediction for a summer season drawing to a close.
This collection of ten items by the Soviet-era great manages to be more than a parade of mere curiosities.
By Aaron Keebaugh The point was made: this was not merely a revolt, but a revolution in sound. “It is a big revolt,” King Louis XVI exclaimed after the fall of the Bastille in 1789. “No Sir,” answered François de la Rochefoucauld, “a big revolution.” The events that followed shook France to its very foundations…
An impressive series of performances that are not for the faint-of-heart.
World-renowned soprano Aleksandra Kurzak’s homage to the great French soprano Cornélie Falcon is largely one to cherish.
This fine album demonstrates that the music of neglected, mixed-race English composer Samuel Coleridge-Taylor is well worth resurrecting.
Joachim Raff, widely hailed for his instrumental works, is finally being recognized as a significant opera composer as well.
The Mercury Orchestra explored nostalgia, via performances of rare Finzi and familiar Respighi compositions.
By Ralph P. Locke Joachim Raff’s energetic and characterful Die Eifersüchtigen hits its mark, in its first production ever. Joachim Raff: Die Eifersüchtigen (The Jealous Ones) Serafina Giannoni (Donna Rosa), Raìsa Ierone (Donna Bianca), Mirjam Fässler (Ninetta), Benjamin Popson (Don Claudio), Batthias Bein (Beppino), Balduin Schneeberger (Don Giulio), Martin Roth (Don Geronimo). Orchestra of Europe,…
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