Classical Music
The final installment in the Boston Symphony Orchestra’ s Shostakovich symphonies series is not nearly as overwhelming as its kick-off disc.
Read MoreThis splendid album offers ample proof that Henry Desmarest stands shoulder to shoulder with his major 17th century French contemporaries, Lully and Marin Marais.
Read MoreDaniil Trifonov’s long-awaited return to Symphony Hall showed that he continues to embody the fullness of the great Russian pianistic legacy.
Read MoreThe pianist provided a 150-minute long procession of anecdotes, thoughts, and absolutely first-class playing for his adoring, thoroughly attentive audience, who happily bought tickets to hear whatever Sir András Schiff chose to play.
Read MoreA world-premiere recording of Kurt Weill’s “Prophets” — originally intended as the last act of “The Eternal Road” — with excellent singers, plus Thomas Hampson in Weill’s Walt Whitman Songs.
Read MoreThe Emerson String Quartet concludes its recorded legacy pretty much the way it began it — in musical glory. Robert Trevino and the Orchestra Sinfonica Nazionale della RAI’s Respighi has plenty of spirit and heart.
Read MoreA massive, comprehensive new box set once again shows us the diva’s indomitable place in the history of opera.
Read MoreThe concert, which along with the Elgar Violin Concerto also includes Rossini’s William Tell Overture and Beethoven’s Symphony No. 7, promises to be a momentous occasion for the ensemble.
Read MoreA concert whose music served as a prayerful elegy for a world spinning out of control.
Read MoreA captivating world-premiere recording of a work by the 21-year-old who would later conquer the operatic world with “Les Huguenots” and “L’Africaine.”
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