Classical Music
The best items in this all-Mozart album are the concertos.
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Violinist Maria Ioudenitch seems to know how to get directly at the expressive core of this fare without devolving into showboating or histrionics.
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Some of France’s best early-music singers and a splendid period-instrument band make this Zoroastre a perfect introduction to the pleasures of Baroque music.
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Jonathan Berger’s remarkable chamber opera about the Mỹ Lai Massacre is a powerful artistic and anti-war statement.
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HER | alive.un.dead proves that some stories are best told by trusting the audience’s imagination.
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Swiss composer Richard Flury’s engaging comic opera is a celebration of the life spirit, and a criticism of celibacy as a practice that cramps and distorts an individual’s basic humanity.
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A Far Cry’s program of new and old music revealed that the simplest gestures can generate wonder.
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In both performances tempos are fleet but not rushed. The big moments – from the hellish apex of the first movement’s development to the screaming climax of the Scherzo and the cathartic resolution of the finale – pack heavy punches.
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A marvelous first recording of a highly engaging opera by Baroque composer Bernardo Pasquini, known until recently for a single piece: “The Cuckoo.”
From beginning to end, the Aizuri Quartet’s performance delivered invigorating delights.
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