Opera
French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.
Rimsky-Korsakov’s delightful village comedy, based on a Gogol short story, receives a modern recording that features a superb international cast.
Much-loved short works by Pergolesi and Mozart storm the stage, thanks to spiffy French dialogue between the musical numbers.
Rejected in Gluck’s time because it lacked dramatic thrust, today “Écho and Narcissus” proves to be a candy-box of delights.
Some may continue to lament the (supposed) dearth of opera in Boston, but an honest look at these enterprising companies suggest that vivid stories are being told with invention and economy.
With Egyptian-born Amina Edris in the title role, Massenet’s opera engages the musical and theatrical imagination with its rich characterizations of Greek mythic adventures.
Even without international-caliber singers and players, Giovanni Piaisello’s “Amor vendicato” works much magic.
Marc-Antoine Charpentier’s 1686 “David and Jonathan” brings ancient characters to life in this 2022 Chateau de Versailles production, brilliantly staged, danced, sung, and played.
Latvian soprano Marina Rebeka, under conductor Christophe Rousset, shows why Berlioz and others loved “La Vestale”.
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