Interview
For Benjamin Zander and his musicians – as for all of us – it was a strange, even desperate, several months.
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A packed, wide-ranging conversation with violinist Anne-Sophie Mutter that touches on several subjects, from a lifelong love of jazz to her verdict on John Williams’ Violin Concerto no. 2.
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“If you really like something and want to make sure you have access to everything, you’ll never do better than having the disc.”
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“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”
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“A lot of censorship in America has to do with the impulse to shut down what women have to say, literally hanging and burning them as witches to shut them up.”
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A documentary about a “crazy genius,” theater owner and film distributor Donald Rugoff, a difficult but insatiable P.T. Barnum-like impresario whose storied rise and tragic fall in the movie business has been overlooked.
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“If you are more critical or try to highlight some of the worst things that happen in America, then you are un-American or anti-American.”
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“I’m an anarchist as an artist — I write what I want, however I want. I refuse to adhere to the forms that society hands down.”
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Host Elizabeth Howard talks with Stephen Reily, Director of the Speed Art Museum in Louisville, Kentucky about the exhibition, “Promise, Witness, Remembrance.”
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Author Interview: Vermont’s John Killacky — At the Service of Art, Critique, and Civic Conversation
“I believe artists create a safe space for unsafe ideas in our world.”
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