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Stoneham Theatre’s atmospheric staging of Jeffrey Hatcher’s version of “Dr. Jekyll and Mr. Hyde” is a production well worth seeing — it lives up to its billing as “a new look at a horror classic.”
Whenever you hear greeting card bromides intoned with a straight face (it’s usually in scenes set in a hospital) you know that moral fuzziness isn’t far behind.
Residences are such a prominent feature of contemporary creative life that there’s an important gathering, the TransCultural Exchange’s Conference on International Opportunities in the Arts.
Although Gene Yang envisions a similarity between the Boxers (once transformed into their mythological hero aspects) and modern superheroes, BOXERS & SAINTS is far from a simple good vs. evil slugfest.
Discovery Ensemble is one of Boston’s great musical treasures, a group that consistently reminds us not only that the music they play is important, but why that’s the case to begin with.
Despite his weakness for overwriting, Bob Shacochis has a good and sad story to tell, and he gets through it with a degree of mastery.
Two days after pianist Yuja Wang’s concert, and, sadly, what I remember best are the two skimpy dresses she wore.
With 12 YEARS A SLAVE, Steve McQueen, the brilliant British director of HUNGER and SHAME, has probably created the first masterpiece of the new black cinema.
Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks
Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.
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