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Adding a female voice to an established funk/roots band can be tricky — but it took about half a song for Maggie Koerner to win over the crowd on Friday.
I get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Both of these exhibitions challenge our very notions of time and identity and the social structures around us.
Arts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
On Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
Just in time for Valentine’s Day, Tarrus Riley and his Dean Fraser-led Black Soil Band are touring, and the group is coming to Revere’s Wonderland Ballroom tomorrow.
Aaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Chameleon Arts Ensemble’s rather lengthy program was like a huge feast, ending with the sumptuous Saint-Saëns’ Sonata No. 1 in d minor.
There is more than one way to tell the truth, “The Good Lord Bird” reminds us again and again, and many reasons to cloak it in humor.
Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
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