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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Women are the dominant force in “Amaluna.” They command the evening’s whirligig of a stage as aerialists, clowns, musicians, dancers, and contortionists.
What is perhaps most astonishing is that the Lorelei Ensemble seems, in its current formation, like the most natural of phenomena.
The reason these films are in this series is because of their color, and they do not disappoint.
The life of a designer is a life of fight: fight against ugliness. — the late Massimo Vignelli
Bay Staters, be warned – we are living in a state without an official rock song. Luckily, if we pitch in, we can help the government solve this problem.
Eschewing harrowing realistic description, Jean Echenoz adopts a jocular sardonic approach to the most gruesome battlefield realities.
How much can a “native” artist adopt from Western modernism before his arts loses its tribal identity and, along with it, its appeal to an outside market?
These challenging LPs offer opposing, but equally thrilling, aural/cinematic adventures: one is an overblown grindhouse flick, the other a wondrous fantasy feature.
“On Leave” is a worthwhile novel that deserves this English revival because it convincingly conveys the alienation felt by soldiers who return home on a brief leave from hostilities taking place abroad.
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