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The haughty, witty Gore Vidal, my role model, was never happier than when going against the madding American populace.
Lift explores so many divergent issues that it would have been easy for the filmmakers to only give lip service to problems it raises. Thankfully, that is not the case.
Had Bay Area Figuration taken its place in the canon, we might not find ourselves in the tiresome situation we’re in at the moment.
YUP’s uneven Jewish Lives offers a series of short, accessible biographies that could become a significant literary mural, showcasing the scope of Jewish culture.
Even given the over-the-top wish-fullfillment of the film’s plot, Escapement’s weak dialogue and lack of subtlety proves to be its ultimate undoing.
The Grand Seduction has some mawkish moments, but it’s still a very sweet movie, skillfully made and charmingly told.
Alive Inside, the winner for Best Documentary at the Festival, had the audience gasping and in tears.
What’s not to adore about this super-friendly, hedonistic, 24-hour street party, what summer resident John Waters celebrates as “a gay fishing village,” and what I might label, oxymoronically, a “queer New Orleans.”
Until now, the powerful economic reality spotlighted by The Arts Factor has generally been ignored or dismissed as anecdotal.
Rebecca’s spirit will persist in every artist who remembers how much she believed in them, every organization that she urged to greater risk-taking and optimism for the future, and every friend brought together by the sorrow of her passing.
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