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Two new documentaries: one a love story about two athletes, the other an attempt to chronicle a small resistance movement among German students against the Nazis.
Serbian writer David Albahari’s fascination with uncertainty fuels a grim, sardonic tragi-comedy in which silence plays an elemental but enigmatic role.
The highest praise for the way the great cinematographer Bridger Nielson has lit the film’s haunted house..
Wadada Leo Smith’s latest album features a series of miraculous performances that give a new meaning to freedom: the sometimes lengthy and airily open improvisations take us on journeys but never seem to wander.
Jealousy is a misleading title for this touching movie, as the characters are less jealous than forlorn when those they love move on to other loves.
Nothing, until the very end of the opera, is ever settled or, even, as it seems: this is psychological musical drama writ large and graphically.
Classical Music Commentary: What’s Next for the Boston Symphony? — Lessons from the Past