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Visual Arts: HarborArts “OccupyING the Present” Brings Boston Harbor to Life

August 19, 2013
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The Boston Harbor Shipyard is a nifty setting for public art, redolent of old-school fisherman and maritime work. Its fading grandeur of weatherbeaten brick buildings, crumbling facades and stern signage sometimes rivaled the formal artwork.

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Fuse Book Review: “The Infatuations” — Funereal Ruminations on a Murder

August 18, 2013
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Perhaps it is not so much that the characters are thinly developed but that it is hard to make them out through the scrim of their Dostoevskian lucubrations.

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Visual Arts Review: Heigh-Ho — Walt Disney’s “Snow White” at the Rockwell Museum

August 18, 2013
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In four jam-packed rooms, in paper, acetate, and select video sequences, Snow White and The Seven Dwarfs: The Creation of a Classic deconstructs the film’s artistic and technical achievement.

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World Music Feature: A Prodigy Re-Emerges in Jerusalem – at 90

August 15, 2013
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If the music that can touch you so deeply with so few notes weren’t so magical, there’s also Emahoy Tsegue-Mariam Guebru’s fascinating back-story.

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Theater Review: A Romp Through This Year’s Edinburgh Fringe Festival

August 15, 2013
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We stirred in a number of scrappier shows at more experimental venues and were treated to Edinburgh’s wild and wonderful arts extravaganza.

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Short Fuse Book Review: “Zealot” — Jesus as Jewish Peasant and Revolutionary

August 14, 2013
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I am a secular Jew who can’t but welcome Zealot‘s conclusion that Christianity pulled a role reversal on Jesus, and made this failed revolutionary Jew into someone who eschewed his people and its traditions in favor of Roman power.

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Theater Review: “Valentine Trilogy” Has a Lot of Passion but Could Use More Smarts

August 13, 2013
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So what’s a hero to do but throw punches and kicks in the name of love and forgiveness?

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CD Review: Julia Holter’s “Loud City Song” — Stark Urban Beauty

August 13, 2013
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The third and latest LP from indie singer-songwriter and composer Julia Holter proffers a vision of urban ecstasy.

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Fuse Theater Review: Barrington Stage Company Serves up a Lavish “Much Ado”

August 12, 2013
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From the first clearly projected lines to the last, it’s obvious that director Julianne Boyd set out to direct a production of Much Ado where language rules supreme.

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Jazz CD Reviews: John Scofield’s “Überjam Deux” and Dave Holland’s “Prism”

August 12, 2013
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Dave Holland’s Prism tells stories, several of which are very effective. Scofield’s, like his earlier Überjam releases, extends the jam-band esthetic into jazz without completely giving in to it. And neither of them would be as they are without the great looming shadow of Miles Davis.

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