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Company One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Fighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
This season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
I look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
Audiences are always shocked by Body & Sold.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
South African choreographer Dada Masilo goes even further into the Swan Lake fantasy: here, the characters, men and women, are all swans.
Nice Fish serves up a deliciously droll brand of American existentialism.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein