Featured
At the Lyric Stage Company, Peter and the Starcatcher charms, but doesn’t quite take flight.
What fun to have meat carved off the revolving spit!
This is a rich evening of theater because it takes up social and psychological problems that aren’t ordinarily addressed on our stages.
One takeaway from the concert: music can be forward-looking and even provocative without being off-putting and ugly.
An album of Brahms lieder from two musicians in their prime: Christoph Eschenbach and Matthias Goerne.
Boston’s Debo Band expand their heterophonnic horizons on Ere Gobez.
This Grand Harmonie program is a survey of both the mainstream and wildly experimental uses of early brass instruments.
It says something about where we are at as a country when the absurdist’s voice is the only one that is persuasively human.
Overall, with Transitions Michael Nicolas proves himself a major cellist of his generation.
I wanted to like Sunset Song, steeped as it is in Scottish history and scenery.
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein