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“Magic” reflects the Mendes touch—more than 50 years of expert piano, arranging, and production chops, and a genius for choosing the right collaborators.
Read MorePrivy Portrait portrays a contemporary human being who has lost all handholds, all footholds, all practical, moral, and metaphysical support—except for that provided by the articles of his beloved encyclopedia.
Read MoreAlthough the production of The Last Days of Cleopatra is at times a bit hard to follow, patient audience members will be rewarded by a profound dramatic payoff.
Read MoreA Short Walk with Patsy Cline leaves you wanting more. It will send you — back or for the first time — to Cline’s own recordings.
Read MoreIt would be a great pity if the MWFF, with its luminous history, was put out to pasture.
Read MoreThe trippiness, the nudge regarding unused powers, regarding vision, regarding the potential of our minds, are the best parts of Lucy.
Read MoreSteve Coogan and Rob Brydon comic routines are cerebral but brilliantly funny, mostly due to the dueling impersonations that are an inevitable part of every meal along their journeys.
Read MorePulitzer-prize winning journalist Lucinda Franks’s writing can be brilliant, deeply honest, and startling; other times superficial, sentimental, New Agey, or simply not credible.
Read MoreArts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up in the next week.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest