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Deborah Eisenberg’s stories pull you in and imitate life in an uncanny way.
Straight White Men features plenty of conflict, but most of this wrangling comes in the form of tiresome, repetitive familial bickering.
Now, we’re told, Trajal Harrell has been researching Butoh dance and hoochy coochy dance, hooking them up with the precursors of modern dance and slathering on generous amounts of gender theory.
Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
Disco is back in town! DJ Joey Carvello returns to Boston and the compilation Boston Goes Disco! is released.
Tyshawn Sorey flies far from his innovative masters. I hardly expected that the result would be so mesmerizing and alive.
Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
Music Commentary: 2018-19 Boston Classical Music Fall Season Preview (Orchestras, Opera, and New Music, mainly)
There’s so much going on in the area that’s good that it’s a challenge to go wrong.
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