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Sloan is a brand that stands for high-quality, retro-flavored pop that is rarely hackneyed or derivative.
With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
George Szell’s Reign is ultimately an accessible, often sociable, but sometimes perplexing fan’s history of the Orchestra and its storied music director.
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
A resplendent and spirited revival of The Sound of Music in downtown Boston.
Mary Lee Bendolph’s designs are stunning works of contemporary design, lacking any taint of provincialism, with as much visual sophistication as you would find in any New York gallery.
Mostly the New Orleans Jazz & Heritage Festival ends up being about the multiplicity and infinite variety of cultures and traditions, including generic funk.
The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
Arts Commentary: The Last Laugh — Stephen Colbert, Comedy, and Cultural Resistance