Featured
Jazz singer Mark Murphy was just too much for most audiences during that period; too intense, too varied, too unpredictable.
It would have been wonderful to have seen either a faithful version of Threepenny Opera in German or a boldly conceived contemporary version.
It is, clearly, a crafty Beethoven remix and the ways John Adams assimilates the older composer’s language into his latest style are fascinating.
This performance was far more than special and crazily beautiful — it was extraordinary.
Indo-Pak Coalition’s energized music and performance somehow manages to square the circle — it is as engaging as it is songful and intelligent.
Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
Mostly, indie horror seems constrained, not by lack of funds, but by lackluster creativity and a sort of sloppy artlessness.
This Hopkins Center production will be the US premiere of Dada Masilo’s much-anticipated reimagined version of Giselle.
Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1
Kalinnikov’s First Symphony is one of those neglected works well worth beating a drum for.
Read More about Rethinking the Repertoire #20 – Vasily Kalinnikov’s Symphony no. 1